Head·word /ˈhedˌwɜː(ɹ)d/ n. @headword

7 posts3 participants4 posts today

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**Harald Klinke** @HxxxKxxx@det.social · 9h

Brey zeigt: Digitale Kunstgeschichte braucht bessere Infrastruktur, mehr theoretische Tiefe und vernetzte Ausbildung, um ihr Potenzial jenseits technischer Spielerei methodisch wirksam zu entfalten.
#DigitalArtHistory #Methodendebatte #Infrastruktur
https://doi.org/10.1111/hic3.12678

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**Harald Klinke** @HxxxKxxx@det.social · 9h

Harald Klinke @HxxxKxxx@det.social

Klinke fordert: Digitale Kunstgeschichte braucht Data Literacy, interdisziplinäre Zusammenarbeit und kritische Bildkompetenz, um Forschung, Lehre und Gesellschaft im digitalen Zeitalter mitzugestalten.
#DigitalArtHistory #DataLiteracy #Bildkritik
https://doi.org/10.11588/arthistoricum.413.c5828

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**Harald Klinke** @HxxxKxxx@det.social · 9h

Harald Klinke @HxxxKxxx@det.social

Bentkowska-Kafel fordert: Digitale Kunstgeschichte soll nicht abgrenzen, sondern integrieren, kritisch denken wie klassisch forschen – digitale Methoden erweitern, nicht ersetzen.
#DigitalArtHistory #Methodendebatte #Kunstgeschichte
http://nbn-resolving.de/urn:nbn:de:bsz:16-dah-216347

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**Harald Klinke** @HxxxKxxx@det.social · 9h

Harald Klinke @HxxxKxxx@det.social

Zweig zeigt: Digitale Kunstgeschichte hat eine längere Geschichte als oft behauptet, verbindet Datenanalyse mit klassischen Methoden und stärkt so die Disziplin durch methodische Tiefe.
#DigitalArtHistory #Methoden #Kunstgeschichte
https://doi.org/10.11588/dah.2015.1.21633

doi.orgForgotten Genealogies: Brief Reflections on the History of Digital Art History | International Journal for Digital Art History

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**Harald Klinke** @HxxxKxxx@det.social · 6d

Harald Klinke @HxxxKxxx@det.social

New CFP: What Do (Digital) Images Want? Join us in exploring a decade of data, power & visual knowledge!
#DigitalArtHistory #AI #VisualCulture #CFP #DH #ArtHistory
https://dahj.org/cfp/11

DAHJCFP: What Do (Digital) Images Want? A Decade of Data, Power, and Visual Knowledge in Art History — DAHJThe International Journal for Digital Art History (DAHJ) marks its 10th anniversary at a crucial moment when digital images are not only omnipresent in daily life, but are generated by active agents that shape our ways of seeing and knowing the world. For this milestone, we invite submissions that

**Harald Klinke** @harald-klinke.de@bsky.brid.gy · 6d

Harald Klinke @harald-klinke.de@bsky.brid.gy

We celebrate 10 years of International Journal for Digital Art History (DAHJ)—connecting global voices & reshaping art history through digital methods, collaboration & critical debate. #DigitalArtHistory #DigitalHumanities #ArtHistory

A graphic featuring the text "DAHJ" intertwined with geometric shapes and lines, accompanied by the numbers "00" and "10" in a modern font. The color scheme includes shades of blue and black.

**Harald Klinke** @HxxxKxxx@det.social · 6d *

6d *

Harald Klinke @HxxxKxxx@det.social

We celebrate 10 years of International Journal for Digital Art History (DAHJ)—connecting global voices & reshaping art history through digital methods, collaboration & critical debate.

#DigitalArtHistory #AI #VisualCulture

**Harald Klinke** @HxxxKxxx@det.social · Apr 21

Apr 21

Harald Klinke @HxxxKxxx@det.social

This summer semester, I will be giving a lecture at the LMU Munich again: "Digital Art History. An introduction".
I'm looking forward to exciting discussions!
#DigitalArtHistory #ArtHistory #DigitalHumanities #LMU

https://www.harald-klinke.de/lehrveranstaltungen/vorlesung-einfhrung-in-die-digitale-kunstgeschichte

Harald KlinkeVorlesung: Digitale Kunstgeschichte — Harald KlinkeEine Einführung

**Harald Klinke** @HxxxKxxx@det.social · Apr 9

Apr 9

Harald Klinke @HxxxKxxx@det.social

New article explores the work of Nestoras Papanikolopoulos, a pioneer of digital art in Greece since 1984. A vital step in recognizing early computer-based art and its marginalization in official discourse.
https://dahj.org/article/nestoras-papanikolopoulos
#DigitalArt #MediaArt #ComputerArt #ArtHistory #GreekArt #DigitalHeritage #DigitalHumanities #ComputerVision #DigitalArtHistory

DAHJNestoras Papanikolopoulos, A Pioneer of Digital Art in Greece — DAHJNow that the digital image has penetrated most aspects of human activity and, consequently, of art, it is time to acknowledge the contribution of artists who opened new paths in the adoption of a practice based on interdisciplinary thinking and contributed to the creative process of the immaterial i

**Harald Klinke** @HxxxKxxx@det.social · Apr 8 *

Apr 8 *

Harald Klinke @HxxxKxxx@det.social

Zombie Canon: The Impact of AI on Art History and Museum Collections
April 1 | 12:00 p.m. | Zoom
Guest Artist & Scholar Lecture Series: Amanda Wasielewski
#DigitalArtHistory #GenerativeAI #OpenAccess #DigitalHeritage #CulturalHeritage #ArtHistory #ResponsibleAI #DigitalHumanities #MuseTech
https://asuevents.asu.edu/event/guest-artist-scholar-lecture-series-amanda-wasielewski

asuevents.asu.eduGuest Artist & Scholar Lecture Series: Amanda Wasielewski | ASU EventsZombie Canon: The Impact of AI on Art History and Museum CollectionsApril 1 | 12:00 p.m. | Zoom

**Harald Klinke** @HxxxKxxx@det.social · Apr 8

Apr 8

Harald Klinke @HxxxKxxx@det.social

#DigitalArtHistory
https://enfilade18thc.com/2025/04/07/ten-axioms-drimmer-and-nygren-on-art-history-and-ai/

Enfilade · Apr 7Ten Axioms: Drimmer and Nygren on Art History and AII was slow finding this essay on artificial intelligence, but it strikes me as immensely helpful (it seems someone asks me about art and AI at least once a week these days). –CH Sonja Drimmer and C…

**Nullmuseum** @nullmuseum@hcommons.social · Apr 8

Apr 8

Nullmuseum @nullmuseum@hcommons.social

Bald ist mein Buch fertig...

Kapitel 1 zur Transformation von Museen und zur parallelen Digitalisierung der Museen. Fallstudie SMB-digital 1990-2011

Kap. 2 zu Museen und Plattformkapitalismus

Kap. 3 zu semantischen Netzwerken (z.B. Auseinandersetzung mit Netzwerkvisualisierungen, 🢂Screenshot)

Screenshot von Text:
Diese Bilderwolken sind durchaus als kritisches Instrument einsetzbar, wenn wir uns zum Beispiel fragen, welche Formen der Repräsentation quantitativ vorherrschen. Wir sehen sogar die Abwesenheit von anderen Repräsentationen durch die Lücken der Wolke. Die Bilderwolke ist kein Erkenntnismedium an sich, sondern erlaubt höchstens, sich die Macht der Sammlung im wahrsten Wortsinn vor Augen zu führen. Die Bilderwolken aber unkritisch als Vermittlungsmedien vorzustellen, wie es in vielen Projekten großer Museen passiert – als vermeintlich ‚neutraler‘ Überblick - zur Erkundung der Sammlungen, verharmlost hingegen die Macht der Sammlungen, die Macht der Repräsentation und der Deutungshoheit. Die ist nun nicht mehr explizit wie in einem Katalogtext oder Schild im Museum, sondern wird durch die Verarbeitung als Raumkoordinaten durch den auf Klassifizierungen trainierten Algorithmus paradoxerweise unsichtbar gemacht. Die Bilderwolke überlagert die Argumentationsweisen, die Ästhetik das Argument.

#museum #openglam #glam

**Harald Klinke** @HxxxKxxx@det.social · Mar 11

Mar 11

Harald Klinke @HxxxKxxx@det.social

PODCAST: Amanda Wasielewski explores the convergence of art history and computer science, highlighting how machine learning can analyze art images and revive formalism. This interdisciplinary approach offers new perspectives on data politics, categorization, and the nuances lost in automation. How can such collaborations reshape our understanding of art in the digital age?
#DigitalArtHistory #ComputerScience #Interdisciplinary
https://www.cigionline.org/pp/where-do-art-history-and-computer-science-meet-drawing-lessons-with-amanda-wasielewski/

Centre for International Governance Innovation · Mar 10Where Do Art History and Computer Science Meet? (drawing lessons with Amanda Wasielewski)Artists and computer scientists can learn a lot from each other across their disciplinary divides.

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**Harald Klinke** @HxxxKxxx@det.social · Mar 7 *

Mar 7 *

Harald Klinke @HxxxKxxx@det.social

Erinnerungen...
Memories...

#hashtags #digitalarthistory #digitalhumanities

**Christoph Glorius** @glorius_ch@fedihum.org · Mar 5

Mar 5

Christoph Glorius @glorius_ch@fedihum.org

@schelbertgeorg sagt um 12:30 #DigitaleKunstgeschichte #digitalarthistory in der Cafeteria #DHd2025

**Harald Klinke** @HxxxKxxx@det.social · Mar 4 *

Mar 4 *

Harald Klinke @HxxxKxxx@det.social

Short Course: Watermarks & Computational Art History
The Hague, Netherlands, 12–22 May 2025
Learn digital watermark analysis with Prof. Rick Johnson (Cornell) at RKD – Netherlands Institute for Art History.
Open to MA/PhD students, curators & art historians working with paper-based art.
Apply by 31 March 2025: https://arthist.net/archive/44096
#ArtHistory #ComputationalArtHistory #Watermarks #DigitalHumanities #DigitalArtHistory #RKD #Dhd2025

arthist.netShort Course: Watermarks & Computational Art HistoryAnnemiek te Stroete. The Haque, The Netherlands, May 12–22, 2025, Deadline: Mar 31, 2025

**Harald Klinke** @HxxxKxxx@det.social · Feb 17

Feb 17

Harald Klinke @HxxxKxxx@det.social

PhD Scholarship in Digital Art History at the University of St Andrews. Fully funded for 3 years, open to Home/EU and international students. Research areas include AI, digital-born art, 3D modeling, and more.
Apply by April 21, 2025. Details: https://www.st-andrews.ac.uk/art-history/prospective/pgr/funding/#d.en.55930
#DigitalArtHistory #PhDScholarship #StAndrews #ArtHistory #Funding

www.st-andrews.ac.ukFunding - School of Art History - University of St Andrews

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**Harald Klinke** @HxxxKxxx@det.social · Feb 12

Feb 12

Harald Klinke @HxxxKxxx@det.social

Also by her:
“Writing and Reading Digital Art History” by Ana Knežević examines the evolution of art history in the digital age, highlighting changes in media while arguing that core methodologies remain unchanged. It explores authorship, collective writing, and distant reading in digital projects.

https://www.academia.edu/38335846/Writing_and_Reading_Digital_Art_History

The image contains an excerpt from a paper discussing the differences between digital and digitized art history. It explores the methods of writing and reading art history in a digital environment, emphasizing the influence of new media on these processes. The text also examines authorship

#DigitalArtHistory #Cyberculture #MediaStudies

**Harald Klinke** @HxxxKxxx@det.social · Feb 12

Feb 12

Harald Klinke @HxxxKxxx@det.social

Just found:
"Art History Methodology in the Age of Cyberculture" explores the evolution of digital art history, distinguishing between digital and digitized methods. The study highlights how traditional methodologies adapt to new technological contexts without fundamentally changing.
By Ana Knežević
https://www.academia.edu/37437403/Art_History_Methodology_in_The_Age_of_Cyberculture
#DigitalArtHistory #Cyberculture #ArtResearch

www.academia.eduArt History Methodology in The Age of CybercultureTaking into account the difference between digital and digitized art history (according to Johanna Drucker), this paper explores the contemporary methodology of art history in the age of cyberculture. Within the framework of a large number of

**Harald Klinke** @HxxxKxxx@det.social · Feb 3

Feb 3

Harald Klinke @HxxxKxxx@det.social

Digital Art History V (Zagreb/Online, 16-17 Oct 2025) explores critical approaches to sources in (digital) art history.
Keynotes: Paul Jaskot (Duke) & Chiara Bonacchi (Edinburgh).
Call for Papers open until 31 March 2025.
#DigitalArtHistory #DigitalHumanities #CFP
https://arthist.net/archive/43861

arthist.netDigital Art History V (online/Zagreb, 16-17 Oct 25)Sanja Sekelj, Institute of Art History Zagreb. Zagreb / Online, Oct 16–17, 2025, Deadline: Mar 31, 2025

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