Create accountLogin

Recent searches

No recent searches

Search options

Not available on lingo.lol.
lingo.lol is one of the many independent Mastodon servers you can use to participate in the fediverse.
A place for linguists, philologists, and other lovers of languages.

Administered by:

Server stats:

68
active users

lingo.lol: AboutProfiles directoryPrivacy policy

Mastodon: AboutGet the appKeyboard shortcutsView source codev4.3.6

#filmhistory

1 post1 participant0 posts today
WerkstattGeschichte<p>Heute vor 50 Jahren starb die <a href="https://openbiblio.social/tags/Schauspielerin" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Schauspielerin</span></a> <a href="https://openbiblio.social/tags/SusanHayward" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SusanHayward</span></a> in <a href="https://openbiblio.social/tags/Hollywood" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Hollywood</span></a>. 1959 hatte sie den <a href="https://openbiblio.social/tags/Oscar" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Oscar</span></a> als beste Hauptdarstellerin für ihre Rolle in »Laßt mich leben« gewonnen. Mehr zum <a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a>:</p><p>▶ Ulrike Weckel, Mit Mitteln des Spielfilms gegen die <a href="https://openbiblio.social/tags/Todesstrafe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Todesstrafe</span></a>. I Want to Live! (1958), <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WerkstattGeschichte</span></a> 85/2022, <a href="https://werkstattgeschichte.de/alle_ausgaben/muell/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/muell/</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>historikerinnen</span></a></span></p><p><a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histodons</span></a> <a href="https://openbiblio.social/tags/Filmkritik" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Filmkritik</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/DeathPenalty" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DeathPenalty</span></a> <a href="https://openbiblio.social/tags/CapitalPunishment" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CapitalPunishment</span></a> <a href="https://openbiblio.social/tags/movies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>movies</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cinemastodon</span></a> <a href="https://openbiblio.social/tags/AmericanHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AmericanHistory</span></a></p>
WerkstattGeschichte<p>Heute vor 5 Jahren starb der Autor <a href="https://openbiblio.social/tags/MartCrowley" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MartCrowley</span></a> in New York. Sein <a href="https://openbiblio.social/tags/Theaterst%C3%BCck" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Theaterstück</span></a> "The Boys in the Band" (1968) rückte erstmals schwules Leben explizit in den Mittelpunkt der Handlung. Für die 1. <a href="https://openbiblio.social/tags/Verfilmung" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Verfilmung</span></a> schrieb er das <a href="https://openbiblio.social/tags/Drehbuch" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Drehbuch</span></a>. Wir erinnern an ihn mit Hinweis auf die <a href="https://openbiblio.social/tags/Filmkritik" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Filmkritik</span></a>:<br>▶ Maxi Braun, Vom Tabubrecher zum Tabu: Comeback für The Boys in the Band (1970), <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WerkstattGeschichte</span></a> 86/2022, <a href="https://werkstattgeschichte.de/alle_ausgaben/papierkram" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/papierkram</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>historikerinnen</span></a></span></p><p><a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histodons</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/GayHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GayHistory</span></a> <a href="https://openbiblio.social/tags/Movies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Movies</span></a> <a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a></p>
WerkstattGeschichte<p>Heute vor 60 Jahren starb der britische <a href="https://openbiblio.social/tags/Komiker" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Komiker</span></a> <a href="https://openbiblio.social/tags/StanLaurel" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>StanLaurel</span></a> im kalifornischen Santa Monica. Aus diesem Anlass erinnern wir an den letzten <a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a>, in dem er gemeinsam mit seinem Kollegen <a href="https://openbiblio.social/tags/OliverHardy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OliverHardy</span></a> auftrat: Atoll K (F/I, 1951):</p><p>▶ Miriam Rürup, <a href="https://openbiblio.social/tags/Staatenlosigkeit" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Staatenlosigkeit</span></a> als Utopie? Laurel und Hardy auf dem Atoll, <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WerkstattGeschichte</span></a> 52/2010, <a href="https://werkstattgeschichte.de/alle_ausgaben/archive-vergessen/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/archive-vergessen/</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>historikerinnen</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/filmeundserien" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>filmeundserien</span></a></span> </p><p><a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histodons</span></a> <a href="https://openbiblio.social/tags/movies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>movies</span></a> <a href="https://openbiblio.social/tags/LaurelAndHardy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LaurelAndHardy</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/Comedy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Comedy</span></a></p>
Chris Bungo Studios<p>Just released! A quick video I put together of the filming location used in the episode "Arena" from the original Star Trek TV series. 1967 vs today. More TV, movie and music video filming locations documentary videos are at my website: <a href="https://ChrisBungoStudios.com" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">ChrisBungoStudios.com</span><span class="invisible"></span></a></p><p><a href="https://mastodon.social/tags/filminglocations" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>filminglocations</span></a> <a href="https://mastodon.social/tags/movielocations" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>movielocations</span></a> <a href="https://mastodon.social/tags/startrek" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>startrek</span></a> <a href="https://mastodon.social/tags/losangeles" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>losangeles</span></a> <a href="https://mastodon.social/tags/thenandnow" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>thenandnow</span></a> <a href="https://mastodon.social/tags/chrisbungostudios" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>chrisbungostudios</span></a> <a href="https://mastodon.social/tags/filmlocation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>filmlocation</span></a> <a href="https://mastodon.social/tags/movielocation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>movielocation</span></a> <a href="https://mastodon.social/tags/filmhistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>filmhistory</span></a></p>
WerkstattGeschichte<p>Heute vor 25 Jahren feierte "Die Stille nach dem Schuss" im Wettbewerb der Internationalen <a href="https://openbiblio.social/tags/Filmfestspiele" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Filmfestspiele</span></a> von <a href="https://openbiblio.social/tags/Berlin" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Berlin</span></a> Premiere. Den <a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a> über eine <a href="https://openbiblio.social/tags/RAF" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RAF</span></a>-Aussteigerin im <a href="https://openbiblio.social/tags/DDR" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DDR</span></a>-Exil (Regie: Volker Schlöndorff) hat sich damals Christina White für uns angesehen:<br>▶ Die Stille nach dem Schuss – Melodram oder Komödie?, <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WerkstattGeschichte</span></a> 27/2000, <a href="https://werkstattgeschichte.de/alle_ausgaben/fraeulein/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/fraeulein/</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>historikerinnen</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/filmeundserien" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>filmeundserien</span></a></span></p><p><a href="https://openbiblio.social/tags/Movies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Movies</span></a> <a href="https://openbiblio.social/tags/Berlinale" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Berlinale</span></a> <a href="https://openbiblio.social/tags/Kino" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Kino</span></a> <a href="https://openbiblio.social/tags/Cinema" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cinema</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cinemastodon</span></a></p>
Flipboard Culture Desk<p>"The Heart of Lincoln" is one of 7,000 silent films listed by the Library of Congress as being lost forever. Now, the 1915 movie about Abraham Lincoln and Civil War life, has been found. NBC explains how film student Dan Martin found the 16-millimeter film while going through boxes during his summer internship at Lauro's Historic Films Archive in Greenport, New York. The film has now been cleaned and digitized so it will be preserved forever.</p><p><a href="https://flip.it/fYzidI" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">flip.it/fYzidI</span><span class="invisible"></span></a></p><p><a href="https://flipboard.social/tags/Movies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Movies</span></a> <a href="https://flipboard.social/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a> <a href="https://flipboard.social/tags/Cinema" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cinema</span></a> <a href="https://flipboard.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://flipboard.social/tags/History" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>History</span></a> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodon</span></a></span></p>
Cultura<p>"What matters now, and what has mattered since the 1950s, is how moviemakers interpret the concept of Life Out There." <a href="https://culturalgutter.com/2025/01/30/uaps-nhis-and-the-essential-need-for-cosmic-mystery/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">culturalgutter.com/2025/01/30/</span><span class="invisible">uaps-nhis-and-the-essential-need-for-cosmic-mystery/</span></a> <a href="https://mastodon.online/tags/aliens" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>aliens</span></a> <a href="https://mastodon.online/tags/movies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>movies</span></a> <a href="https://mastodon.online/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a></p>
Claudia KP<p>How cool is that? A German silent drama filmed in 1929, which used amateur actors portraying their own lives. Billy Wilder worked on the screenplay. You can watch it in full here (with English and German subtitles).</p><p>Never knew this existed! Will be interesting to see Berlin in the late 20s...</p><p><a href="https://archive.org/details/peopleOnSundaymenschenAmSonntag1930" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">archive.org/details/peopleOnSu</span><span class="invisible">ndaymenschenAmSonntag1930</span></a></p><p><a href="https://mastodonapp.uk/tags/GermanFilm" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>GermanFilm</span></a> <a href="https://mastodonapp.uk/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a> <a href="https://mastodonapp.uk/tags/MenschenAmSonntag" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MenschenAmSonntag</span></a> <a href="https://mastodonapp.uk/tags/PeopleOnSunday" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PeopleOnSunday</span></a> <a href="https://mastodonapp.uk/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://mastodonapp.uk/tags/German" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>German</span></a> <a href="https://mastodonapp.uk/tags/BillyWilder" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BillyWilder</span></a></p>
Jonathan Emmesedi<p><span class="h-card" translate="no"><a href="https://mastodon.social/@vintagechronicles" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>vintagechronicles</span></a></span> </p><p>Yes, I like Charlie Chaplin.</p><p>When I was younger and living in England, the intelligentsia tended to prefer Buster Keaton and were sniffy about Chaplin's sentimentality. </p><p>In addition, Chaplin's reputation suffered in the USA for a long time on account of red baiting.</p><p>I wonder too if Chaplin's predilection for much younger women will prejudice some viewers against his work.</p><p>Quite aside from his huge importance in the history of film, watching his pictures can be such a treat. I was once lucky enough to see a performance of "Modern Times" with a live orchestra - it was an unforgettable experience.</p><p><a href="https://c.im/tags/CharlesChaplin" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CharlesChaplin</span></a> <a href="https://c.im/tags/CharlieChaplin" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CharlieChaplin</span></a> <a href="https://c.im/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://c.im/tags/ModernTimes" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ModernTimes</span></a></p>
Chris Bungo Studios<p>Four movie filming locations, then and now, 1929/1930 vs today. More details at the bottom of the photo.</p><p><a href="https://mastodon.social/tags/filminglocations" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>filminglocations</span></a> <a href="https://mastodon.social/tags/movielocations" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>movielocations</span></a> <a href="https://mastodon.social/tags/thelittlerascals" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>thelittlerascals</span></a> <a href="https://mastodon.social/tags/ourgang" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ourgang</span></a> <a href="https://mastodon.social/tags/laurelandhardy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>laurelandhardy</span></a> <a href="https://mastodon.social/tags/littlerascals" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>littlerascals</span></a> <a href="https://mastodon.social/tags/losangeles" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>losangeles</span></a> <a href="https://mastodon.social/tags/culvercity" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>culvercity</span></a> <a href="https://mastodon.social/tags/filmhistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>filmhistory</span></a> <a href="https://mastodon.social/tags/thenandnow" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>thenandnow</span></a> <a href="https://mastodon.social/tags/comedy" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>comedy</span></a> <a href="https://mastodon.social/tags/nostalgia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>nostalgia</span></a> <a href="https://mastodon.social/tags/movies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>movies</span></a> <a href="https://mastodon.social/tags/oldmovies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>oldmovies</span></a> <a href="https://mastodon.social/tags/moviescenes" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>moviescenes</span></a> <a href="https://mastodon.social/tags/chrisbungostudios" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>chrisbungostudios</span></a></p>
WerkstattGeschichte<p>Am Donnerstag verstarb der <a href="https://openbiblio.social/tags/Filmemacher" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Filmemacher</span></a> Wolfgang Becker.</p><p>Wir erinnern deshalb an unseren Artikel zu seinem Erfolgsfilm "Good Bye, Lenin!" Vor 20 Jahren machte sich <span class="h-card" translate="no"><a href="https://mastodon.social/@tlindenberger" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>tlindenberger</span></a></span> Gedanken über "den Platz dieses Films in einer erinnerungspolitischen Konjunktur": <br>▶ https://Gewalt und Wahrheit: Verkehrte Welt in Good Bye, Lenin!, in: <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WerkstattGeschichte</span></a> 37/2004, <a href="https://werkstattgeschichte.de/alle_ausgaben/rhetorik/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/rhetorik/</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>historikerinnen</span></a></span> </p><p><a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cinemastodon</span></a> <a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histodons</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/Zeitgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Zeitgeschichte</span></a> <a href="https://openbiblio.social/tags/DDR" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DDR</span></a></p>
Journeys In Film<p>On this day in Film History: Schindler's List made its world premier in 1993! Teach Holocaust Education and World War II history with this powerful Academy Award winner. Get our new improved curriculum guide with teaching tips and classroom-ready lesson plans, featuring an updated Antisemitism lesson.</p><p><a href="https://journeysinfilm.org/product/schindlers-list/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">journeysinfilm.org/product/sch</span><span class="invisible">indlers-list/</span></a> </p><p><a href="https://hcommons.social/tags/OTD" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OTD</span></a> <a href="https://hcommons.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://hcommons.social/tags/SchindlersList" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SchindlersList</span></a> <a href="https://hcommons.social/tags/HolocaustEducation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HolocaustEducation</span></a> <a href="https://hcommons.social/tags/WWII" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WWII</span></a> <a href="https://hcommons.social/tags/Education" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Education</span></a> <a href="https://hcommons.social/tags/Homeschooling" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Homeschooling</span></a> <a href="https://hcommons.social/tags/Edutooters" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Edutooters</span></a> <a href="https://hcommons.social/tags/Histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Histodons</span></a> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/education" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>education</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/edutooters" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>edutooters</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span></p>
AlsoPaisleyCat<p><span class="h-card" translate="no"><a href="https://sfba.social/@muiren" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>muiren</span></a></span> </p><p>Good article.</p><p>I agree. What’s the justification for a remake of one of the most influential science fiction films ever?</p><p>The movie ‘Forbidden Planet’ itself is a retelling of Shakespeare’s ‘The Tempest’ which has been reworked in so very many stage and screen adaptations and homages. One really has to wonder at the mix of unconstrained ambition and unvarnished derivativeness of the EP and screenwriter.</p><p>That said, Star Trek, Star Wars and other science fiction fans who haven’t seen the original definitely should. </p><p><a href="https://tenforward.social/tags/ForbiddenPlanet" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ForbiddenPlanet</span></a> <a href="https://tenforward.social/tags/MGM" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MGM</span></a> <a href="https://tenforward.social/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a> <a href="https://tenforward.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://tenforward.social/tags/Cinema" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cinema</span></a> <a href="https://tenforward.social/tags/ScienceFiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ScienceFiction</span></a> <a href="https://tenforward.social/tags/SciFi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SciFi</span></a> <a href="https://tenforward.social/tags/Remakes" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Remakes</span></a> <a href="https://tenforward.social/tags/Hollywood" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Hollywood</span></a> <a href="https://tenforward.social/tags/StarTrek" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>StarTrek</span></a> <a href="https://tenforward.social/tags/TheTempest" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TheTempest</span></a> <a href="https://tenforward.social/tags/Shakespeare" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Shakespeare</span></a></p>
DB 🌎🌏🌍<p>"Little girl and cat" by the <a href="https://mstdn.ca/tags/Lumi%C3%A8re" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Lumière</span></a> brothers, 1899. </p><p>Colorized and speed adjusted.</p><p><a href="https://mstdn.ca/tags/Cats" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cats</span></a> <a href="https://mstdn.ca/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a> <a href="https://mstdn.ca/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a></p>
Journeys In Film<p>Wadjda, the groundbreaking film from Saudi Arabia's first woman film director Haifaa al-Mansour; 5/7 </p><p><a href="https://journeysinfilm.org/product/wadjda/" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://</span><span class="ellipsis">journeysinfilm.org/product/wad</span><span class="invisible">jda/</span></a> </p><p><a href="https://hcommons.social/tags/IslamicHistoryMonth" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IslamicHistoryMonth</span></a> <a href="https://hcommons.social/tags/Wadjda" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Wadjda</span></a> <a href="https://hcommons.social/tags/HaifaaAlMansour" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>HaifaaAlMansour</span></a> <a href="https://hcommons.social/tags/SaudiArabia" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SaudiArabia</span></a> <a href="https://hcommons.social/tags/FilmStudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmStudies</span></a> <a href="https://hcommons.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://hcommons.social/tags/WomeDirectors" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WomeDirectors</span></a></p>
Journeys In Film<p>Children of Heaven, the first Iranian film to be nominated for an Academy Award for Best Foreign Language Film; 2/7 </p><p><a href="https://journeysinfilm.org/product/children-of-heaven/" rel="nofollow noopener noreferrer" target="_blank"><span class="invisible">https://</span><span class="ellipsis">journeysinfilm.org/product/chi</span><span class="invisible">ldren-of-heaven/</span></a> </p><p><a href="https://hcommons.social/tags/IslamicHistoryMonth" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IslamicHistoryMonth</span></a> <a href="https://hcommons.social/tags/ChildrenOfHeaven" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ChildrenOfHeaven</span></a> <a href="https://hcommons.social/tags/Iran" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Iran</span></a> <a href="https://hcommons.social/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a> <a href="https://hcommons.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://hcommons.social/tags/FilmStudies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmStudies</span></a></p>
WerkstattGeschichte<p>Am Europäischen Tag der <a href="https://openbiblio.social/tags/Restaurierung" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Restaurierung</span></a> empfehlen wir den kurzen Essay von Gertrud Koch, die sich am Beispiel von "Babi Yar. Context" (2021) mit der digitalen Restaurierung stummer historischer Filmaufnahmen auseinandersetzt:<br>▶ Mediale Gespenster: Zu Sergei Loznitsas Sound-Animationen filmischer Archivmaterialien, <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WerkstattGeschichte</span></a> 87/2023, <a href="https://werkstattgeschichte.de/alle_ausgaben/reizende-gerueche/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/reizende-gerueche/</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>historikerinnen</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/filmeundserien" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>filmeundserien</span></a></span></p><p><a href="https://openbiblio.social/tags/histodons" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>histodons</span></a> <a href="https://openbiblio.social/tags/SergeiLoznitsa" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SergeiLoznitsa</span></a> <a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a> <a href="https://openbiblio.social/tags/restoration" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>restoration</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualHistory</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a></p>
WerkstattGeschichte<p>Zum heutigen <a href="https://openbiblio.social/tags/Welttag" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Welttag</span></a> gegen die <a href="https://openbiblio.social/tags/Todesstrafe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Todesstrafe</span></a> ein Hinweis auf einen Artikel aus unserer Rubrik <a href="https://openbiblio.social/tags/Filmkritik" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Filmkritik</span></a>:<br>▶ Ulrike Weckel, Mit Mitteln des Spielfilms gegen die Todesstrafe. I Want to Live! (1958), in: <a href="https://openbiblio.social/tags/WerkstattGeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>WerkstattGeschichte</span></a> 85/2022, <a href="https://werkstattgeschichte.de/alle_ausgaben/muell/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">werkstattgeschichte.de/alle_au</span><span class="invisible">sgaben/muell/</span></a></p><p><span class="h-card" translate="no"><a href="https://a.gup.pe/u/histodons" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>histodons</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/historikerinnen" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>historikerinnen</span></a></span> <br><span class="h-card" translate="no"><a href="https://a.gup.pe/u/politicalscience" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>politicalscience</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/filmeundserien" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>filmeundserien</span></a></span></p><p><a href="https://openbiblio.social/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a> <a href="https://openbiblio.social/tags/Filmgeschichte" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Filmgeschichte</span></a> <a href="https://openbiblio.social/tags/DeathPenalty" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DeathPenalty</span></a> <a href="https://openbiblio.social/tags/CapitalPunishment" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CapitalPunishment</span></a> <a href="https://openbiblio.social/tags/movies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>movies</span></a> <a href="https://openbiblio.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://openbiblio.social/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cinemastodon</span></a> <a href="https://openbiblio.social/tags/AmericanHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AmericanHistory</span></a> <a href="https://openbiblio.social/tags/VisualHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>VisualHistory</span></a> <a href="https://openbiblio.social/tags/SusanHayward" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SusanHayward</span></a></p>
Today On Screen<p><a href="https://xoxo.zone/tags/OnThisDay" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OnThisDay</span></a>, October 6, in 1927, successful "talkie" motion picture with sound The Jazz Singer was released (depicted in Singin' In The Rain, 1952)</p><p><a href="https://xoxo.zone/tags/Film" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Film</span></a> <a href="https://xoxo.zone/tags/Movies" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Movies</span></a> <a href="https://xoxo.zone/tags/Cinemastodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cinemastodon</span></a> <a href="https://xoxo.zone/tags/Letterboxd" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Letterboxd</span></a> <a href="https://xoxo.zone/tags/TheJazzSinger" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TheJazzSinger</span></a> <a href="https://xoxo.zone/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://xoxo.zone/tags/SinginInTheRain" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SinginInTheRain</span></a></p>
Harald Klinke<p>Conference “Cultural Heritage Data &amp; Power: Exploring Digital Collections and Situated Knowledges in Film History and Beyond” from Nov 14-16, 2024, at Philipps-Universität Marburg. <br>This event marks the closing of the BMBF research group “Aesthetics of Access” (DAVIF). Registration is free until Oct 31, 2024. More info: <a href="https://uni-marburg.de/CaPWG1" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">uni-marburg.de/CaPWG1</span><span class="invisible"></span></a> <a href="https://det.social/tags/FilmHistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>FilmHistory</span></a> <a href="https://det.social/tags/CulturalHeritage" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CulturalHeritage</span></a> <a href="https://det.social/tags/DigitalHumanities" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DigitalHumanities</span></a> <a href="https://det.social/tags/Conference2024" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Conference2024</span></a></p>
ExploreLive feeds
About