Terry Hancock (Director/Producer)<p><span>Okay, I think I'm getting somewhere now.<br><br>Really didn't realize how hard the lighting was going to be on this shot!<br><br>In the end, I gave up on "realistic" light coming in the window, and just put the spotlight INSIDE the porthole. Less physically accurate, but it works better -- no weird shadow-layer stuff.<br><br>Also, realized that since I added "Emit" to all the toon materials to give them a basic dark color, I need to tone that down in the composite a bit to get the light contrast I was after.<br><br> </span><a href="https://m.filmfreedom.net/tags/Blender3D" rel="nofollow noopener noreferrer" target="_blank">#Blender3D</a><span> </span><a href="https://m.filmfreedom.net/tags/BlenderInternal" rel="nofollow noopener noreferrer" target="_blank">#BlenderInternal</a><span> </span><a href="https://m.filmfreedom.net/tags/Lighting" rel="nofollow noopener noreferrer" target="_blank">#Lighting</a><span> </span><a href="https://m.filmfreedom.net/tags/NPR3D" rel="nofollow noopener noreferrer" target="_blank">#NPR3D</a></p>