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#literarycriticism

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Project Gutenberg<p>On publishing Charlotte Brontë’s miniature book of poems for the first time.</p><p>By R.B. Russell</p><p><a href="https://lithub.com/on-publishing-charlotte-brontes-miniature-book-of-poems-for-the-first-time/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">lithub.com/on-publishing-charl</span><span class="invisible">otte-brontes-miniature-book-of-poems-for-the-first-time/</span></a></p><p>Charlotte Brontë at PG:<br><a href="https://www.gutenberg.org/ebooks/author/408" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">gutenberg.org/ebooks/author/408</span><span class="invisible"></span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a></p>
NegativePrimes<p>Started wondering if I could build an Introduction to Literary Analysis around pop songs. Of course I'd include Alanis Morissette's "Ironic" (showing my age there—and yes, it would largely be an example of what irony is *not*) and Taylor Swift's "Anti-Hero." Any others you think should be included (preferably based on the title alone)?</p><p><a href="https://urusai.social/tags/music" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>music</span></a> <a href="https://urusai.social/tags/english" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>english</span></a> <a href="https://urusai.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a> <a href="https://urusai.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a></p>
Milano University Press<p><a href="https://mastodon.uno/tags/NewIssue" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>NewIssue</span></a><br>È online il nuovo numero di <a href="https://mastodon.uno/tags/Enthymema" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Enthymema</span></a>. <br>Il volume si apre con un ricordo di <a href="https://mastodon.uno/tags/PeterSteiner" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PeterSteiner</span></a>, studioso del <a href="https://mastodon.uno/tags/formalismoRusso" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>formalismoRusso</span></a> recentemente scomparso, per proseguire con una selezione delle presentazioni tenutesi alla 7th European <a href="https://mastodon.uno/tags/Narratology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Narratology</span></a> Network International Conference <a href="https://mastodon.uno/tags/ENN7" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ENN7</span></a>, dal titolo "Rhythm, Speed, Path: Spatiotemporal Experiences in <a href="https://mastodon.uno/tags/Narrative" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Narrative</span></a>, <a href="https://mastodon.uno/tags/Poetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Poetry</span></a>, and <a href="https://mastodon.uno/tags/drama" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>drama</span></a>" </p><p>Il volume è disponibile in <a href="https://mastodon.uno/tags/OpenAccess" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OpenAccess</span></a> qui:</p><p>🔗 <a href="https://riviste.unimi.it/index.php/enthymema/issue/view/2610?mtm_campaign=mastodon" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">riviste.unimi.it/index.php/ent</span><span class="invisible">hymema/issue/view/2610?mtm_campaign=mastodon</span></a></p><p><a href="https://mastodon.uno/tags/LiteraryCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LiteraryCriticism</span></a> <a href="https://mastodon.uno/tags/Literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Literature</span></a></p>
Waywords Studio<p>𝑳𝒊𝒕𝒆𝒓𝒂𝒓𝒚 𝑵𝒐𝒎𝒂𝒅𝒔 𝑷𝒐𝒅𝒄𝒂𝒔𝒕: 𝑾𝒉𝒂𝒕 𝑰 𝑪𝒂𝒓𝒓𝒚 𝑾𝒊𝒕𝒉 𝑴𝒆 - </p><p>As we leave Andrew Marvell's famous poem, what questions do we take with us as we explore more?</p><p><a href="https://buff.ly/IAtH1BS" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">buff.ly/IAtH1BS</span><span class="invisible"></span></a> </p><p><a href="https://mastodon.social/tags/podcast" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>podcast</span></a> <a href="https://mastodon.social/tags/andrewmarvell" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>andrewmarvell</span></a> <a href="https://mastodon.social/tags/tohiscoymistress" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>tohiscoymistress</span></a> <a href="https://mastodon.social/tags/metaphysicalpoetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>metaphysicalpoetry</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a> <a href="https://mastodon.social/tags/poetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>poetry</span></a> <a href="https://mastodon.social/tags/interpretation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>interpretation</span></a> <a href="https://mastodon.social/tags/rhetoric" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>rhetoric</span></a> <a href="https://mastodon.social/tags/ethos" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ethos</span></a></p>
Waywords Studio<p>𝑳𝒊𝒕𝒆𝒓𝒂𝒓𝒚 𝑵𝒐𝒎𝒂𝒅𝒔 𝑷𝒐𝒅𝒄𝒂𝒔𝒕: 𝑨𝒏𝒅𝒓𝒆𝒘 𝑴𝒂𝒓𝒗𝒆𝒍𝒍'𝒔 "𝑻𝒐 𝑯𝒊𝒔 𝑪𝒐𝒚 𝑴𝒊𝒔𝒕𝒓𝒆𝒔𝒔" 𝑷𝒂𝒓𝒕 4 - </p><p>Who is the speaker in this poem? Who the audience? Who the Marvell? We close our discussion of the famous metaphysical work. </p><p><a href="https://buff.ly/3EWDEwB" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">buff.ly/3EWDEwB</span><span class="invisible"></span></a> </p><p><a href="https://mastodon.social/tags/podcast" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>podcast</span></a> <a href="https://mastodon.social/tags/andrewmarvell" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>andrewmarvell</span></a> <a href="https://mastodon.social/tags/tohiscoymistress" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>tohiscoymistress</span></a> <a href="https://mastodon.social/tags/metaphysicalpoetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>metaphysicalpoetry</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a> <a href="https://mastodon.social/tags/poetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>poetry</span></a> <a href="https://mastodon.social/tags/poemspeaker" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>poemspeaker</span></a> <a href="https://mastodon.social/tags/audience" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>audience</span></a> <a href="https://mastodon.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a></p>
Waywords Studio<p>𝗪𝗵𝗮𝘁 𝗜'𝗺 𝗥𝗲𝗮𝗱𝗶𝗻𝗴: 𝗔 𝗣𝗼𝗲𝘁𝗶𝗰𝘀 𝗼𝗳 𝗣𝗹𝗼𝘁 𝗳𝗼𝗿 𝘁𝗵𝗲 𝟮𝟭𝘀𝘁 𝗖𝗲𝗻𝘁𝘂𝗿𝘆 𝗯𝘆 𝗕𝗿𝗶𝗮𝗻 𝗥𝗶𝗰𝗵𝗮𝗿𝗱𝘀𝗼𝗻 - </p><p>As even the traditional Freytag's plot line unravels (and old "master plot" archetypes are deconstructed), Richardson writes a someway contentious new approach to narrative structure in today's world of reading and crafting. Yes, I'm a nerd and went for it instantly.</p><p><a href="https://mastodon.social/tags/storyplot" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>storyplot</span></a> <a href="https://mastodon.social/tags/storystructure" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>storystructure</span></a> <a href="https://mastodon.social/tags/plot" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>plot</span></a> <a href="https://mastodon.social/tags/nonfiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>nonfiction</span></a> <a href="https://mastodon.social/tags/narratology" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>narratology</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a> <a href="https://mastodon.social/tags/antistory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>antistory</span></a></p>
The Weaver<p>Hi all! I’m looking for interesting accounts that talk sometimes about <a href="https://zirk.us/tags/LiteraryCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LiteraryCriticism</span></a>, or maybe other <a href="https://zirk.us/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> and <a href="https://zirk.us/tags/CriticalTheory" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>CriticalTheory</span></a>-based accounts. I’ve tried searching for authors I like, but haven’t had a huge amount of luck beyond finding posts. I’m especially looking for <a href="https://zirk.us/tags/SciFi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>SciFi</span></a> criticism, but am curious about a lot of other genres too. Some other things I like are <a href="https://zirk.us/tags/DFW" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>DFW</span></a>, <a href="https://zirk.us/tags/MarkFisher" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MarkFisher</span></a>, <a href="https://zirk.us/tags/PKD" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>PKD</span></a>, <a href="https://zirk.us/tags/BeckyChambers" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>BeckyChambers</span></a>, <a href="https://zirk.us/tags/Solarpunk" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Solarpunk</span></a>, <a href="https://zirk.us/tags/Cyberpunk" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Cyberpunk</span></a>, <a href="https://zirk.us/tags/Existentialism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Existentialism</span></a>, <a href="https://zirk.us/tags/ArabLit" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>ArabLit</span></a>, <a href="https://zirk.us/tags/Metamodernism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Metamodernism</span></a>. TY! </p><p><a href="https://zirk.us/tags/Request" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Request</span></a></p>
Project Gutenberg<p>The Post-Millennial Poe, or, Edgar Allan Holmes?</p><p>In life, Edgar Allan Poe was best known as a literary critic. Today, he’s best remembered for his disquieting tales…but that may be changing.</p><p>By: Matthew Wills </p><p><a href="https://daily.jstor.org/the-post-millennial-poe-or-edgar-allan-holmes/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">daily.jstor.org/the-post-mille</span><span class="invisible">nnial-poe-or-edgar-allan-holmes/</span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a></p>
Project Gutenberg<p>The Time a Couple Crazy Kids—Ford Madox Ford, Hemingway—Started a Journal in Paris</p><p>And It Was Almost Called “The Paris Review”</p><p>By Nick Ripatrazone</p><p><a href="https://lithub.com/the-time-a-couple-crazy-kids-ford-madox-ford-hemingway-started-a-journal-in-paris/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">lithub.com/the-time-a-couple-c</span><span class="invisible">razy-kids-ford-madox-ford-hemingway-started-a-journal-in-paris/</span></a></p><p><a href="https://en.wikipedia.org/wiki/The_Transatlantic_Review" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/The_Tran</span><span class="invisible">satlantic_Review</span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a></p>
Project Gutenberg<p>Dutch poet and essayist Martinus Nijhoff died <a href="https://mastodon.social/tags/OTD" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OTD</span></a> in 1953.</p><p>His debut was in 1916 with his volume De wandelaar ('The Wanderer'). He was a literary craftsman who employed skillfully various verse forms from different literary periods. Some of his best-known works include Het Uur U (1936) and the long poem Awater (1934).</p><p><a href="https://en.wikipedia.org/wiki/Martinus_Nijhoff" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Martinus</span><span class="invisible">_Nijhoff</span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.social/tags/poetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>poetry</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a></p>
World of Anne Shirley<p>The Fragrance of Sweet-Grass: L.M. Montgomery's Heroines and the Pursuit of Romance </p><p><a href="https://www.worldofanneshirley.com/1999/10/the-fragrance-of-sweet-grass.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">worldofanneshirley.com/1999/10</span><span class="invisible">/the-fragrance-of-sweet-grass.html</span></a></p><p><a href="https://mastodon.social/tags/LMMontgomery" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LMMontgomery</span></a> <a href="https://mastodon.social/tags/Literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Literature</span></a> <a href="https://mastodon.social/tags/Books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Books</span></a> <a href="https://mastodon.social/tags/LiteraryCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LiteraryCriticism</span></a> <a href="https://mastodon.social/tags/Writers" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Writers</span></a> <a href="https://mastodon.social/tags/Fiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Fiction</span></a></p>
Project Gutenberg<p>On Henry James and the Enduring Lessons of Love</p><p>Katherine J. Chen Rediscovers James (and Falls in Love)</p><p><a href="https://lithub.com/on-henry-james-and-the-enduring-lessons-of-love/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">lithub.com/on-henry-james-and-</span><span class="invisible">the-enduring-lessons-of-love/</span></a></p><p>Books by Henry James at PG:<br><a href="https://www.gutenberg.org/ebooks/author/113" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">gutenberg.org/ebooks/author/113</span><span class="invisible"></span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a></p>
Stan Carey<p>This was a good read, worthwhile I think for Joyce fans and the Joyce-curious alike</p><p><a href="https://mastodon.ie/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.ie/tags/IrishLiterature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>IrishLiterature</span></a> <a href="https://mastodon.ie/tags/JamesJoyce" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>JamesJoyce</span></a> <a href="https://mastodon.ie/tags/AnthonyBurgess" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>AnthonyBurgess</span></a> <a href="https://mastodon.ie/tags/bookstodon" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>bookstodon</span></a> <a href="https://mastodon.ie/tags/LiteraryCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LiteraryCriticism</span></a></p>
Novel Exploration<p><span class="h-card" translate="no"><a href="https://lor.sh/@fictionable" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>fictionable</span></a></span> <span class="h-card" translate="no"><a href="https://a.gup.pe/u/bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span> </p><p>'Sometimes a student is advised by his or her peers to give characters “higher stakes” or “more agency.” This tends to lead me to groan internally. Isn’t living from day to day enough of a stake? Isn’t living itself the most important action, if you really pay close attention to the world?'</p><p>Yiyun Li on what a minor character can tell us ⬆️ </p><p>A thought provoking essay</p><p><a href="https://indieauthors.social/tags/YiyunLi" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>YiyunLi</span></a> <a href="https://indieauthors.social/tags/amWritingFiction" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>amWritingFiction</span></a> <a href="https://indieauthors.social/tags/minorCharacters" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>minorCharacters</span></a> <a href="https://indieauthors.social/tags/the70percent" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>the70percent</span></a> <a href="https://indieauthors.social/tags/literaryCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literaryCriticism</span></a> <a href="https://indieauthors.social/tags/life" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>life</span></a> <a href="https://indieauthors.social/tags/living" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>living</span></a> <a href="https://indieauthors.social/tags/agency" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>agency</span></a></p>
Project Gutenberg<p>Zelda Fitzgerald on F. Scott’s Writing</p><p>Zelda’s satirical review of F. Scott’s second novel, The Beautiful and the Damned, revealed much more than her wit.</p><p>By: Emily Zarevich via @JSTOR_Daily </p><p><a href="https://daily.jstor.org/zelda-fitzgerald-on-f-scotts-writing/" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">daily.jstor.org/zelda-fitzgera</span><span class="invisible">ld-on-f-scotts-writing/</span></a></p><p>The Beautiful and the Damned at PG:<br><a href="https://www.gutenberg.org/ebooks/9830" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">gutenberg.org/ebooks/9830</span><span class="invisible"></span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a></p>
Project Gutenberg<p><a href="https://mastodon.social/tags/OTD" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OTD</span></a> in 1802.</p><p>The Edinburgh Review, a reforming quarterly, is first published.</p><p>Among the most notable of the foreign publications it observed was Jean-Jacques Rousseau's Discourse on Inequality, which Adam Smith reviewed in the journal's second and final issue, published in March 1756.</p><p><a href="https://en.wikipedia.org/wiki/Edinburgh_Review" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Edinburg</span><span class="invisible">h_Review</span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a></p>
Andrew Shields<p>Finding Coover’s "The Universal Baseball Association” on a library shelf at Stanford in the 1980s. <a href="https://mas.to/tags/111Words" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>111Words</span></a> <a href="https://mas.to/tags/RobertCoover" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>RobertCoover</span></a> <a href="https://mas.to/tags/TheUniversalBaseballAssociation" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TheUniversalBaseballAssociation</span></a> <a href="https://mas.to/tags/StanfordUniversity" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>StanfordUniversity</span></a> <a href="https://mas.to/tags/MeyerLibrary" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>MeyerLibrary</span></a> <a href="https://mas.to/tags/TabletopBaseball" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>TabletopBaseball</span></a> <a href="https://mas.to/tags/Literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>Literature</span></a> <a href="https://mas.to/tags/LiteraryCriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>LiteraryCriticism</span></a> <a href="https://andrewjshields.blogspot.com/2024/10/finding-coovers-universal-baseball.html" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">andrewjshields.blogspot.com/20</span><span class="invisible">24/10/finding-coovers-universal-baseball.html</span></a></p>
Waywords Studio<p>𝙒𝙝𝙖𝙩 𝙄’𝙢 𝙍𝙚𝙖𝙙𝙞𝙣𝙜: "𝙈𝙮 𝙀𝙢𝙞𝙡𝙮 𝘿𝙞𝙘𝙠𝙞𝙣𝙨𝙤𝙣" 𝙗𝙮 𝙎𝙪𝙨𝙖𝙣 𝙃𝙤𝙬𝙚 - </p><p>Some passages from this extraordinary work.</p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/bookreviews" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>bookreviews</span></a> <a href="https://mastodon.social/tags/bookworm" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>bookworm</span></a> <a href="https://mastodon.social/tags/readreadread" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>readreadread</span></a> <a href="https://mastodon.social/tags/tbr" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>tbr</span></a> <a href="https://mastodon.social/tags/tbrpile" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>tbrpile</span></a> <a href="https://mastodon.social/tags/quotes" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>quotes</span></a> <a href="https://mastodon.social/tags/reading" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>reading</span></a> <a href="https://mastodon.social/tags/susanhowe" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>susanhowe</span></a> <a href="https://mastodon.social/tags/myemilydickinson" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>myemilydickinson</span></a> <a href="https://mastodon.social/tags/poetry" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>poetry</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a> <a href="https://mastodon.social/tags/poetryanalysis" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>poetryanalysis</span></a> <a href="https://mastodon.social/tags/emilydickinson" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>emilydickinson</span></a> </p><p><a href="https://buff.ly/4eRbPCA" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="">buff.ly/4eRbPCA</span><span class="invisible"></span></a></p>
Project Gutenberg<p>English novelist, poet, playwright, and critic D. H. Lawrence was born <a href="https://mastodon.social/tags/OTD" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OTD</span></a> in 1885.</p><p>Four of his most famous novels — Sons and Lovers, The Rainbow, Women in Love , and Lady Chatterley's Lover— were the subject of censorship trials for their radical portrayals of sexuality and use of explicit language.</p><p><a href="https://en.wikipedia.org/wiki/D._H._Lawrence" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/D._H._La</span><span class="invisible">wrence</span></a></p><p>Books by D.H. Lawrence at PG:<br><a href="https://www.gutenberg.org/ebooks/author/123" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="ellipsis">gutenberg.org/ebooks/author/12</span><span class="invisible">3</span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a></p>
Project Gutenberg<p>English novelist and playwright Mary Wollstonecraft Shelley was born <a href="https://mastodon.social/tags/OTD" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>OTD</span></a> in 1797.</p><p>She wrote the Gothic novel Frankenstein; or, The Modern Prometheus (1818), which is considered an early example of science fiction. She also contributed five volumes of Lives of Italian, Spanish, Portuguese, and French authors to Dionysius Lardner's Cabinet Cyclopaedia.</p><p>Books by Mary Shelley at PG:<br><a href="https://www.gutenberg.org/ebooks/author/61" rel="nofollow noopener noreferrer" translate="no" target="_blank"><span class="invisible">https://www.</span><span class="">gutenberg.org/ebooks/author/61</span><span class="invisible"></span></a></p><p><a href="https://mastodon.social/tags/books" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>books</span></a> <a href="https://mastodon.social/tags/literature" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literature</span></a> <a href="https://mastodon.social/tags/literarycriticism" class="mention hashtag" rel="nofollow noopener noreferrer" target="_blank">#<span>literarycriticism</span></a></p>
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