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#manet

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Ville de Blois

🍋 Le Citron, ça pétille à Blois !
Pour l’été, l’escalier Denis-Papin se pare de zestes artistiques, en faisant écho au tableau « Le Citron » d’Édouard Manet, exceptionnellement exposé au Château royal de Blois jusqu’au 28 juillet 2025. 🎨
📷Profitez d’une promenade pleine de fraîcheur et de couleurs !

Plus d'informations : blois.fr/info/2025/05/escalier

#Blois #BloisChambord #BloisMaVille
#DenisPapin #stairs #art #citron #Manet #ArtDeRue #StreetArt

Photo d’ensemble de l’escalier Denis-Papin, dont les contre-marches sont recouvertes pour former un décor graphique de citrons, de feuilles et de petits insectes. Des personnes montent l’escalier et donnent l’illusion de marcher à travers la végétation.
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Hotspur🏳️‍🌈🇺🇦

"Bazille's Studio," Frédéric Bazille, 1870.

Bazille (1841-1870) died only a few months after he painted this lovely scene, after enlisting in the Franco-Prussian War. His existing work is precious.

This is a view of a studio he shared with Pierre-Auguste Renoir. While Bazille painted the scene, the figure in the center with the palette was painted by Edouard Manet to be Bazille himself. The man in the hat looking at the canvas on the easel is Manet, while the man at the piano is Edmond Maitre, a friend of Bazille's. The other three are unknown; it's thought that two of them could be Renoir and Monet, but it's impossible to tell. Alfred Sisley and Emile Zola might also be included.

Above Maitre's head is a still life by Monet, and a small landscape by Renoir is just to the right of the window. Other paintings are Bazille's, that had been rejected by the 1866 Paris Salon. So here Bazille is thumbing his nose at the stodgy Salon establishment...

Of course, now Impressionism itself can seem old-fashioned and stodgy...what happens to the anti-establishment crowd when they become the Establishment? Hard to say...but at least we have this charming and inventive painting to study.

From the Musée d'Orsay, Paris.

An Impressionist scene. We are in the artist's studio, with several men looking at various things The walls are blue, and a large window, partly covered, is in the far wall. Paintings hang on the walls and are stacked vertically as well. A slipcovered sofa and armchair are unused. In the middle rear, a painting stands on an easel; the artist, with palette in hand, stands by, while two look at it. Another man sits and plays a piano at the far left, and on the far right a man sits on a table while another climbs a star and looks down at the seated man, as if conversation.
#Art#Impressionism#FredericBazille
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Geri ™

Edouard Manet, The Railway, 1873

Symbolising bustle, change, movement and adventure, both the nanny and the little girl are on the other side, on the wrong side of the fence, away from that.

As each day passes I am more the nanny and less the girl.

Edouard Manet, The Railway, 1873
#Manet
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Ashley Gardini

When I learned about Édouard Manet's "Olympia," the analysis focused on the parallel's to Titian's "Venus of Urbino" and the shocking nature of portraying a sex worker as the reclining nude. That was about it.

Being about to talk about Laure, the model for the maid, and the social commentary Manet is making by including a black model in this role, makes for such a fuller discussion I'm able to present to students today.

Realist painting of a reclining female nude on a plush white bed. She wears a pink flower in her hair, a black ribbon necklace and a gold bracelet. She is a sex worker. Just behind the end of the bed is a black maid presenting a large bouquet of red and white flowers. The maid wears a light pink and white dress and headscarf. There is a black cat standing on the edge of the bed.
Painted portrait of a black woman sitter. She wears a colorful headscarf, earrings, a necklace and a white top that sits just of her shoulders. The painting is painted with loose brush strokes. The figure sits against a brown background.
#ArtHistory#Art#Manet
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